■ Specialization and related fields
History of arts, Theory of art practice
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■ Academic background
1.
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Kyoto University Graduated
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2.
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Kyoto University〔Master Course〕 Completed
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3.
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Kyoto University〔Doctorial Course〕 Accomplished credits for doctoral program
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4.
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Kyoto University〔Doctorial Course〕 Completed
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5.
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Kyoto University
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■ Business career
1.
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2020/04~2021/03
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Part-time researcher for university or other academic organization
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2.
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2010/04~2012/03
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Special researcher of the Japan Society for the Promotion of Science
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3.
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2012/04~2015/03
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Part-time researcher for university or other academic organization
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4.
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2012/04~2015/03
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Special researcher of the Japan Society for the Promotion of Science
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5.
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2013/04~2015/03
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Part-time researcher for university or other academic organization
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6.
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2015/04~2016/03
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Lecturer
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7.
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2015/07~2015/07
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Part-time researcher for university or other academic organization
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8.
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2016/04~2020/03
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Associate Professor
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9.
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2019/02~2019/02
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Part-time researcher for university or other academic organization
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10.
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2019/04~2023/03
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Part-time researcher for university or other academic organization
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11.
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2020/04~
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Associate Professor
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12.
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2020/04~
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Aoyama Gakuin University College of Literature Department of Comparative Arts Associate Professor
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■ Belonging society
1.
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null
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2.
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The Association for Studies of Culture and Representation
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3.
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THE JAPAN ART HISTORY SOCIETY
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4.
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THE JAPANESE SOCIETY FOR AESTHETICS
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■ Lecturer and lecture
1. |
2023/11/22 |
Thinking Machine: from Futurism to Contemporary Art
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■ Academic conference presentation
1. |
2024/03/15 |
Wind Direction in the Anthropocene Era: Political Conditions of Breaths in Art since 1960s (International Conference Anthropocene Calling: Human, Philosophy, Technology and Arts in the Age of Anthropocene)
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2. |
2023/12/02 |
Rethinking the Futurist Aesthetics of Machine: Man-machine in the 1920s (Between Modernity and Avant-garde: Italian context III Reading futurist manifestos)
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3. |
2023/11/10 |
Encounter with the Worlds: Mono-ha and Lee Ufan’s Artistic Practices (Chorologies: Intercultural and Interdisciplinary Dialogue. Classical Interpretation and Emerging Didactic Approaches)
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4. |
2023/08/20 |
Okamoto Tarō’s Re-evaluation of Jōmon pottery (EAJS Conference 2023)
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5. |
2023/06/19 |
Figures of Breathing in Contemporary Art: The Artist as a Bricoleur (International Conference Respiratory Philosophy A Paradigma Shift)
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6. |
2017/09/24 |
The Disappearance of Body: Art and Technology in Postwar Italy (Mechanization and Anatomization of Representations of Body in the 20th Century Art)
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7. |
2017/09/23 |
Carlo Carrà: Between Primitivism and Classicism (Avant-garde Art and Classicism from 1880 to 1945)
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8. |
2013/09/23 |
The Two-dimensional Objects: ‘Plastic Poem’ by Kitasono Katué (International Workshop, Artistic Experimentations for a New Society: Continuities and Ruptures in Japan before and after the War)
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