■ Specialization and related fields
English literature and literature in the English language, Aesthetics and art studies, Gender studies, Philosophy and ethics, Historical studies in general
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■ Business career
1.
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1986/04~1990/03
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Aoyama Gakuin University College of Economics
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2.
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1990/04~1997/03
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Aoyama Gakuin University College of Economics
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3.
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1997/04~
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Aoyama Gakuin University College of Economics Professor
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■ Belonging society
1.
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1986/03~
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Eugene O'Neill Society
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2.
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1993/11~
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Samuel Beckett Society
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3.
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2002/01~
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International Federation of Theatre Research
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■ Activity in society
1.
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2017/07~2017/08
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"Samuel Beckett and the Apocalyptic Imagination" lectured at TCD Samuel Beckett Summer School
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■ Book and thesis
1.
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Book
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Beckett’s Words (Collaboration) 2023/12
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2.
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Book
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Samuel Beckett and Catastrophe (Single) 2023/01
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3.
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Book
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Beckett's Voices / Voicing Beckett (Collaboration) 2021/09
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4.
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Book
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Influencing Beckett / Beckett Influencing (Collaboration) 2020/12
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5.
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Book
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Samuel Beckett as World Literature (Collaboration) 2020/08
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6.
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Book
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Samuel Beckett and trauma (Collaboration) 2018/07
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7.
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Book
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Revised WAITING FOR GODOT: Beckett as Director (Single) 2017/09
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8.
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Book
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City of Literature, Dublin (Collaboration) 2017/02
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9.
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Book
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Samuel Beckett and Critical Perspectives (Collaboration) 2016/11
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10.
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Book
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’International Receptions of Samuel Beckett’(Mark Nixon and Matthew Feldman, eds.),"Japanese Reception of Samuel Beckett" pp.147-162 (Collaboration) 2009/05
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11.
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Book
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Beckett at 100: Revolving It All(Linda Ben-Zvi and Angela Moorjani eds.)"Ontological Fear and Anxiety in the Theater of Beckett,Betsuyaku,and Pinter" pp.246-258 (Collaboration) 2008
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12.
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Article
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Precarity in Waiting for Godot Kanto Review of English Literature pp.1-9 (Single) 2022/01
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13.
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Article
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Hamm's Ambivalence in ENDGAME, a Post-catastrophe Play 青山経済論集 71(3) (Single) 2019/12
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14.
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Article
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Theatre of Ghosts and the Other under the Threat of Mass Death: Some Ethical Thoughts on Plays of Genocide 青山経済論集 70(4),pp.3-12 (Single) 2019/03
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15.
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Article
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Post-Apocalyptic Reading of Silence in Samuel Beckett’s Textes pour rien pp.101-124 (Single) 2018/11
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16.
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Article
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’A Study of Adaptation’ 経済研究 8,pp.57-70 (Collaboration) 2016/03
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17.
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Article
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"Let Us Not Forget the War": Moira Buffini's Welcome to the Thebes and Velina Hasu Houston's The Intuition of Iphigenia 青山スタンダード論集 (10),pp.243-263 (Single) 2015/01
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18.
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Article
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’Beckett's Struggle with His Traumatic Memories’ 経済研究 6,pp.1-20 (Single) 2014/03
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19.
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Article
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"Shaping a New Communal Identity: Transnational Feminist Theater of Velina Hasu Houston" 『Comparative Theatre Review』(Japanese Society for Theatre Research's Comparative Theatre Section) pp.52-64 (Single) 2012
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20.
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Article
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"The Transformation of Kafka in Contemporary Japanese Theater" 『Journal of The Kafka Society of America: New International series』(Thirty-Third and Thirty-Fourth Years) 2009-2010,pp.80-89 (Single) 2011
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21.
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Article
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“Elements of Haiku in Beckett: The Influence of Eisenstein and Arnheim's Film Theories” Samuel Beckett Today/Aujourd'hui(Angela Moorjani,Carola Veit eds.)(Amsterdam: Rodopi) 11,pp.324-330 (Single) 2001
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22.
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Article
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“Hidden Voices” in Samuel Beckett's Late Work: Language of the Displaced and Displacement the HARP:IASIL-JAPAN Bulletin(The IASIL The Japanese Branch Association) Vol.ⅩⅢ,1998,pp.7 (Single) 1998/09
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Display 5 items
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Display all(22)
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■ Lecturer and lecture
1. |
2022/03/24 |
Beckett in Japan in crisis since the 1960s (龍谷大学)
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